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Copenhagen Contemporary

A Sounding of the Earth

03.10.25 – 06.04.26

Alia Farid

“... the exhibition offers us an opportunity to understand issues that few of us have been familiar with until now ...”

★★★★★

Kulturinformation

"...an incantation against the destructive force of oil."

♥♥♥♥♥

Politiken

"When everyone is digging for money, it is a gentle archaeological gesture to transform the waste of industry into the treasures of the next millennium"

Kunstkritikk

The exhibition A Sounding of the Earth presents Kuwaiti-Puerto Rican artist Alia Farid, whose work explores the many intertwined past and present histories of the Arab Gulf. Linking ancient artefacts with today’s oil industry, Farid traces how ecosystems, material cultures and social structures are shaped by political forces and extractive economies, and how communities adapt and resist within these pressures.

Through large-scale sculpture and film Farid reimagines ancient protective forms and materials to address the ecological and social crises of our time. Her practice emerges from the Gulf’s landscapes, where cultural heritage is continually transformed, paralleling the pace of a rapidly changing region. In this context Farid juxtaposes artisanal and mass-produced objects, from blue faience with a 6,000-year history to polyester resin, a by-product of the 20th-century oil industry. By combining handmade and industrial objects with seemingly opposing meanings, Farid reflects a region where modernity remains deeply entangled with imperial legacies of fragmentation and exploitation.

Across the intimate shadowed space Farid presents two works linking the Gulf’s landscapes with political and spiritual narratives. Central to the exhibition is Amulets (2025), a two-part sculptural work inspired by traditions of protective symbols reimagined in materials derived from oil refinement. The piece contrasts the region’s spiritual heritage with the extractive forces that shape its present. Along the rear wall Chibayish (2022/2023) is a single-channel projection in two parts filmed in the southern Iraqi wetlands, a landscape under intense political and environmental pressure yet sustaining life and memory. Shifting between documentary and dreamlike imagery it captures daily life in the marshes today.

Together the works trace the entanglement of culture, ecology, and industry, inviting us to reflect on the way histories of extraction and resilience continue to shape the present.

Read more about the exhibition at The Glyptotek

Alia Farid, A Sounding of the Earth, 2025. Installation view at Copenhagen Contemporary, 2025 Photo: David Stjernholm

Alia Farid, A Sounding of the Earth, 2025. Installation view at Copenhagen Contemporary, 2025 Photo: David Stjernholm

Chibayish, 2022 UHD video, colour, sound; 24:42 min. Commissioned by the Whitney Museum of American Art for the Whitney Biennial 2022: Quiet As It’s Kept. Filmed in the southern marshlands of Iraq with Riad Bahrani, Jassim and Qassim Mohammed. Courtesy of the artist and Sfeir-Semler Gallery, Beirut / Hamburg. Chibayish, 2023 UHD video, colour, sound; 15:03 min. Produced by The Vega Foundation and Doha Film Institute. Filmed in the southern marshlands of Iraq with Riad and Fatima Bahrani. Installation view at Copenhagen Contemporary, 2025 Photo: David Stjernholm

Alia Farid (b. 1985, Kuwait City) lives and works in Kuwait and Puerto Rico. Working across film, installation and sculpture, she explores how borders shape realities, with the Arab Peninsula and the Caribbean as central frameworks for her artistic investigations. Farid’s practice grows out of long-term research into the displacement, exploitation, and militarization of local cultures, ecosystems and heritage in the shadow of colonial structures as well as political and corporate power.

Alia Farid (b. 1985, Kuwait City) lives and works in Kuwait and Puerto Rico. Working across film, installation and sculpture, she explores how borders shape realities, with the Arab Peninsula and the Caribbean as central frameworks for her artistic investigations. Farid’s practice grows out of long-term research into the displacement, exploitation, and militarization of local cultures, ecosystems and heritage in the shadow of colonial structures as well as political and corporate power.

Alia Farid, A Sounding of the Earth, 2025. Installation view at Copenhagen Contemporary, 2025 Photo: David Stjernholm

Alia Farid, 2024. Photo: Myriam Boulos